![](https://cdn.myportfolio.com/bacbfeaa-affc-4aa0-82e3-486ffc8ed08a/0fbcf204-6aa3-4da5-a65b-77c752551e36_rw_1920.jpg?h=4edfcd3ffbcd7ed7cbb54626ed7eff0e)
Adana, Acrylic on canvas, 48 x 36 in, 2020
Egg (Detail)
House and dogs (Detail)
Rabbit and ambulance (Detail)
![Hopscotch and the stone (Detail)](https://cdn.myportfolio.com/bacbfeaa-affc-4aa0-82e3-486ffc8ed08a/23fb0295-58a8-4625-b24f-741217ece1ba_rw_1920.jpg?h=e1a78d559a5c7bb2cb70bced23be5a7b)
This is the scene from my hometown which is located in the southern part of Turkey, called Adana. I left Adana in 2009 for studying at a university in Istanbul when I was 18. Since then, for the first 2 years of my university education, I was no longer feeling either belong to Istanbul or Adana. I was in between, carrying both cities' cultural features. At some point, that feeling has become usual. I belonged nowhere. I also noticed that I was unable to settle in one place for no longer than 10 years. It reflects how nomad I am and how much I like being nomadic. While I was in Turkey, even though there were considerable differences between those two big cities, I have never felt it that much because I was able to visit my hometown whenever I want. After I got here, to Canada, a year ago, I started to see how my city, Adana, is actually one of a kind with all those weird stuff in it, that we mostly embrace without questioning. In this painting, as one of my classmates described it as a rear-view mirror, which I find quite accurate because it indicates the past as if I'm looking back, I used one of the oldest sketches as a reference that I drew by using my left hand as a right-handed person. As people mostly tend to refer to scenes from their pasts with very well-drawn and painted figures and stuff, I'd like to describe this painting, as if it is painted by a kid imagining the future and free from any design principles.
Adana, Acrylic on canvas, 48 x 36 in, 2020